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Several months ago I bought Lisa Kleypas' Secrets of a Summer Night. I usually buy and read everything she writes immediately because Kleypas is one of my favorite authors. Unfortunately, I made the mistake of reading a review of the book which put me off a bit. I think (from the distance mists of my memory ) that the reviewer didn't like the premise of the series--that is, that a bunch of "wallflowers" would band together to try to get rich, peer-type husbands by fair means or foul. The reviewer also found the heroine unlikeable and mercenary. As a result of this review, I kept moving the book down the tbr (to be read) pile.
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So let me give a whole-hearted thumbs-up or five stars or whatever floats your boat to both of these books. I enjoyed them thoroughly, in fact, I stayed up late to finish It Happened One Autumn because I couldn't put it down. I can't wait for the next book in the series which, conveniently, is due out March 7th. More about that later. Kleypas has a gift for writing heroes who are larger than life and wildly, crazily in love with their heroines. They are made better by their relationship with the heroine. I adore them. Her heroines are pretty special too, spunky and interesting. They, too, are flawed but made better by love.
I found the basis of the series very poignant. The wallflowers have suffered through the humiliation of being unwanted and sneered at again and again. They are four women whose whole life is going to be a success or failure based on their ability to marry well. In 1840's England, there wasn't much else you could do as a woman. Annabelle is a beautiful but poor well-born woman who may be forced into virtual prostitution if she can't snare a peer. She's slipping further and further into poverty and no one wants to marry her because she doesn't bring a dowry. She doesn't have any choices and she has dependents; her mother and younger brother. I felt sympathy for the pressure she was under and the difficult choices she faced.
Lillian and Daisy are two beautiful American heiresses who are too nouveau-riche to marry well in New York, let alone in England. Their mother, however, is determined to snag a peer. They remind me of poor Consuelo Vanderbilt whose mother sold her to a Duke to fulfill her own ambitions. In England, Lillian and Daisy are outsiders whoe don't know the picky picky rules of behavior so they're considered uncivilized and only merit attention from bankrupt peers, and even then, only as a last resort.
The fourth wallflower is Evangeline. She's the daughter of a sewer rat who got wealthy by running a gambling den and the well-born woman who ran off with him and then died. She's got bright red hair; she's incredibly shy; she stutters; and her mother's family abuse her terribly because of her birth. They're also plotting to do away with her so they can acquire her inheritance when her ailing father dies.
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